After the Casse-tête de l’Existence, i naturally wanted to continue in the same line (futuristic epic songs), but this time with an emphasis on melody and with a certain primal energy. Synthetic atmosphere and electroacoustics effects are still numerous, but were less important in the composition of this album. They are hiding behind a greater harmony and a cleaner chaos. I learned to select the best ideas. I do think i got a lot better at singing. The album works well to document the recent evolution of my voice : strange androgyny lately (a lot of female singers in my mind). Also, transitions between tracks was a new preoccupation. This time, the lyrics (some english this time) have precise meanings (fighting against nostalgia and in favor of the outsiders of this world) ; Vincent...Van Gogh is based on real facts in the painter’s life. Also, right now, i’m writing music with a vocal in mind. Sometimes, this vocal never appeared because of my personal preference for the instrumental. It happens two times : Machiavélisme Magnifique and Introversion Extravertie.
You can find the music I’m talking about here, but as Monsieur Bergeron said, "This music will remain free for a few months only..." so listen to it while you can. I have had problems on the site trying to open the files with my winamp but i am successful when opening the tracks by simply clicking on "mp3" and using QuickTime player to play the music. The following links will connect you to the music itself, which may take a moment to load.
I have been listening to his new album L’Art du Désarroi, and I have to say, I am impressed! This is very much collage-based experimental music mixed with electronica, classical - atonality and Messiaen (sort of), rock influences, maybe even minimalist influences, its all over the place and practically impossible to describe. Certainly this music will stretch your ears. What I can say simply, and without exaggeration is that is different from what I’m used to listening to.
This is intense music, sometimes harsh and biting, sometimes hitting on some surreal beauty. There is a constant stream of sounds, violins to drums to high and practically non-harmonic electronic frequencies. It takes a bit to get used to. The track the disk is named after, L’Art du Désarroi reminds me of another collage-based group: The books. There is something beautiful in this, but its hard to put one's finger on it.
The singing is a also a little harsh, with all due respect to Monsieur Bergeron, more lyricism can be attained by more on-pitch singing, but the near-sprechstimme adds to the surreal feel of the music. If more lyricism is not the goal, so be it, the instrumentation is beautiful too, frequently bordering on atonality, but beautiful in an expressionistic sense, if that makes sense.
The final track, most lyrical of all the pieces, Nostalgie-Euthanasie , utilizes a traditional descending diatonic on the piano along with the percussion, violins, woodwinds, some electronic sounds found in the other tracks. This music, like others on the disk, is built up into very thick layers resulting in very unusual and constantly shifting textures, but the first half of this track seems to be lighter than most of the others.
Overall, this music can be a little t0o heavy to listen to all at once, but it still very new to the ears. These tracks are all different but they all contain similar traits and a similar feel. Thank you again, Monsieur Bergeron for your fascinating music and your email!